Calle de Alenza
Honors Leonardo Alenza Nieto, a nineteenth-century Madrid painter who portrayed the life of the city’s poorest classes.
Alenza was born in Madrid in 1807 and died in this same city, of tuberculosis, in 1845, before turning thirty-eight. He looked to the late, dark Goya and followed his trail: market scenes, beggars, people of the outskirts. He was the painter-chronicler of the poorest Madrid, the one that did not sit for drawing-room portraits.
A Romantic through and through, Alenza ended up laughing at Romanticism itself. In his Satire of Romantic Suicide, a gaunt man throws himself off a rock with a dagger in his hand, surrounded by the emblems of the tormented artist. He lived short and hard, and that brief life fed his legend as a doomed painter.
The street climbs from Ríos Rosas to Raimundo Fernández Villaverde. For much of the twentieth century it saw a coming and going of travelers through the Continental Auto bus station, which ran here until 1999. Today it shares its pavement with the School of Mines and its museum, in a quieter stretch than those departures northward.